{"id":761,"date":"2025-07-02T10:19:14","date_gmt":"2025-07-02T08:19:14","guid":{"rendered":"https:\/\/grandtour.art\/formes-vivantes\/"},"modified":"2025-12-15T17:13:39","modified_gmt":"2025-12-15T15:13:39","slug":"formes-vivantes","status":"publish","type":"page","link":"https:\/\/grandtour.art\/fr\/formes-vivantes\/","title":{"rendered":"Formes Vivantes"},"content":{"rendered":"

Formes Vivantes
03.07-26.07<\/p>\n<\/div>

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Une exposition conjointe d’Am\u00e9lie Caussade et d’Antonin Detemple.
Grand Tour est situ\u00e9 au 123, rue de Turenne, Paris 3 et est ouvert du mardi au samedi de 11h \u00e0 18h.<\/p>\n<\/div>

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Am\u00e9lie Caussade
Antonin Detemple<\/p>\n<\/div>

Chor\u00e9graphie du vivant et r\u00e9cits en mouvement<\/p>\n

Sous ce titre \u00e9voquant le rituel et la m\u00e9tamorphose, Forme Vivantes r\u00e9unit les pratiques d\u2019Am\u00e9lie Caussade et d\u2019Antonin Detemple autour d\u2019un m\u00eame souffle : celui du vivant, de la mati\u00e8re et des r\u00e9cits invisibles qui traversent notre \u00e9poque. Leurs oeuvres dialoguent comme deux corps en mouvement, explorant les liens entre formes ancestrales, gestes contemporains et alt\u00e9rit\u00e9s sensibles. <\/p>\n

Chez Am\u00e9lie Caussade, la forme du X devient matrice plastique, symbole fondamental du vivant. Carrefour entre le corps, l\u2019espace et le cosmos, elle structure sculptures, tissages et installations. Travaillant le gypse, mati\u00e8re recyclable, douce et lumineuse, dans une temporalit\u00e9 lente et consciente, l\u2019artiste \u00e9labore une v\u00e9ritable \u00e9cologie du geste. Chaque pli, chaque tension devient un langage, une respiration. Cette figure du X, entre science, m\u00e9moire et danse, \u00e9voque autant les chromosomes que les axes du monde : une \u00e9criture mouvante, une faille dans notre perception du r\u00e9el. <\/p>\n

Antonin Detemple, quant \u00e0 lui, explore notre place au sein du vivant \u00e0 travers des installations hybrides m\u00ealant plantes spontan\u00e9es, lumi\u00e8re artificielle, archives biologiques et r\u00e9cits sp\u00e9culatifs.<\/p>\n<\/div>

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Inspir\u00e9 par la pens\u00e9e de Baptiste Morizot dans Mani\u00e8res d\u2019\u00eatre vivant, il interroge les formes d\u2019interd\u00e9pendance invisibles et les liens que nous entretenons, ou que nous avons perdus, avec le monde non-humain.<\/p>\n

Ses \u0153uvres tracent une arch\u00e9ologie du futur : un monde o\u00f9 les plantes migrent, o\u00f9 les mati\u00e8res dialoguent, o\u00f9 la m\u00e9moire \u00e9cologique se r\u00e9g\u00e9n\u00e8re dans la fiction.<\/p>\n

Tous deux brouillent les fronti\u00e8res entre art et nature, science et po\u00e9sie, h\u00e9ritage et invention. Leurs \u0153uvres dessinent une cartographie sensible de notre pr\u00e9sent. En prise avec les tensions de l\u2019Anthropoc\u00e8ne, Formes Vivantes esquisse une intuition f\u00e9conde : que l\u2019art, en tant qu\u2019espace d\u2019attention et d\u2019\u00e9coute, peut encore r\u00e9enchanter notre lien au vivant. <\/p>\n


– Manon Canto<\/p>\n<\/div>

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